You're about to create your best presentation ever

Presentation Dark Or Light Background

Create your presentation by reusing one of our great community templates.

LIGHT & DARK

Transcript: ANALYSIS Cultural movement that began in the early 1920's. Purpose: resolve the previously contradictory conditions of and [dream & reality]. Techniques allow the unconscious to express itself, but also an . came to occupy an important role in surrealist activity. The use of procedures such as double exposure, combination printing, montage, and solarization evoked the union of dream and reality. LIGHT & DARK IN PHOTOGRAPHY The bars on her back oppression. Her hands stretched through the bars represents her impatience of being liberated from her body. The rocky floor coldness and heaviness as if her life was full of tough situations. Messsage: "we can’t escape from reality, we are trapped in your body until we die." Every single experience we've had in our life, every facet of our existence, comes under reality. We are trapped within our own consciousness and thoughts. SURREALISM D I A N A R A M Í R E Z L Ó P E Z PHOTOGRAPHY The Metropolitan Museum of Art. (2014). Retrieved October 3rd, 2014, from: http://www.metmuseum.org/toah/hd/phsr/hd_phsr.htm Erick Johansson Photography.(2014). Retrieved October 3rd, 2014, from: http://erikjohanssonphoto.com/about/ Wikipedia, The Free Encyclopedia.(n.d). Retrieved October 3rd, 2014, from: http://en.wikipedia.org/wiki/Surrealism Photographer Sweeden “I use as a way of collecting material to realize the 's in my .” (He doesn’t capture moments, he captures ideas.) ERICK JOHANSSON Naked woman laying on a rocky floor. On her back jail bars. Her hands stretched through them (jail bars). In my perspective: there's a contrast between light and dark in order to focus on a specific point where the author’s concept lies. The use of light centered on woman that lays on the floor. Darkness around her sense of coldness and sadness. SYMBOLISMS: The woman’s naked body sense of reality. TRAPPED INSIDE REFERENCES:

Light & Dark

Transcript: He used very dark shadows that would blend into very dark backgrounds. He also used very little “grey area”. The contrast was mostly a harsh clash between dark and light values. Caravaggio’s lighting style was inspired by his tragic life. He has murdered someone in his lifetime, and reflected his feelings through dark and intense pieces. Caravaggio lit his scenes with dramatic lighting coming from a shaft of light emanating from a constricted (and often unseen) source. In Caravaggio’s work, the light areas held the most detail while the dark areas contained subtle detail and little interest. He developed a technique called tenebrism which would affect the style of the entire baroque period. Like Chiaroscuro, tenebrism exaggerates the light and dark values within a piece. Rembrandt All three artists, masters of light and dark, made valuable contributions of different lighting techniques to their eras. Da Vinci contributed Chiaroscuro, Caravaggio contributed tenebrism, and Rembrandt shared the Rembrandt Technique. All three of these artists were very influential upon each other and inspirational for artists of the future. It was these three artists among many others that influenced and brought ground breaking discoveries about light and dark values to the art world Born: July 15, 1606, Leiden, Netherlands Under the influence of Caravaggio as a fellow Baroque artist from Holland and Flanders, Rembrandt van Rijn practiced and perfected tenebrism and chiaroscuro. He used these lighting techniques to achieve dramatic intensity, rhythmic visual harmony, and psychological depth within a piece. Rembrandt created moods of gloom or enthusiasm through light alone. He took an expressive approach to light and dark. He used dark shadows in the faces of his subjects to identify lines and crevices. The deep shading in the face can set the nature of the subject’s thoughts. Rembrandt painted light differently from other traditional Dutch artists. His shadows tended to pick off of the background and his light was not lighting obscure space; it underlined details and hid others in half light. He was also known as a master of light and dark. Rembrandt used light and shadow to create ultimate realism. It is because of this that critics may argue that Rembrandt preferred ugliness to beauty. Like his fellow light and dark masters, Rembrandt had a signature lighting technique that he created called the Rembrandt Technique. The less laminated side of the face would have a “triangle” of light. INTRO ABOUT The light focuses mainly on three figures. Captain Cocq, the Lieutenant, and the small girl. The other figures are overlapped in shadow. This can also show depth. The shadow figures have darker clothes to bring out the light on the areas of emphasis, aka Captain Cocq. The Rembrandt Technique is used on the Captain’s face. Only St. Peter’s face is illuminated. The other faces that are not as relevant to the piece as Peter’s are hidden in shadow. A spotlight effect focuses on St. Peter which amplifies the use of tenebrism, as well as the near black background. Supper at Emmaus Cast shadows show Caravaggio’s use of tenebrism as well as the stage lighting. MONA LISA The light source comes from a window which shows harsh shadows. In this piece, it is very clear to see Leonardo’s range of values go from black, to colour, to white. The dark background also enhances the figure in the piece. BENOIS MADONNA Born: September 29, 1571, Milan, Italy Da Vinci’s innovation and talent spread forwards into the Baroque era where Michelangelo Merisi, also known as Caravaggio, was the leading artist. Caravaggio’s lighting techniques are reminiscent of the Renaissance and Mannerist eras. Light and Dark add realism to a piece NIGHT WATCH Caravaggio OLD MAN IN RED Light & Dark Born: April 15, 1452, Vinci, Italy His great knowledge in math and science tied in with and expanded his knowledge of light and darks in art. He was inspired by the works of art from Greco-Roman artists, and developed a technique called Chiaroscuro which is the exaggeration of light and dark values within a piece. “Clothe your subjects lightly, as dark clothes will mix with the dark shadows, and they will be lost.” His focus in his paintings was not on colour, but on a range of values. His range went from darkest blacks, to the base colour tone, to near white CONCLUSION ABOUT Portrait of a Lady The dramatic lighting and range of values really enhance the figure The dark background blends into the shadows of the figure. Here Rembrandt uses light and dark to create crevices in his face to show age. The dim light source used can reflect the man’s thoughts. Perhaps he is reflecting on something. The Rembrandt Technique is also used on his face. RETURN OF THE PRODIGAL SON Harsh values enhance the focus of the piece, which is the figure of the woman. The dark clothes and hair against the light background is another great example of his use of chiaroscuro within the piece. Da Vinci developed

Light/dark

Transcript: the dark seeing the dark Light is one of those things that we are sort of born understanding. However much science teaches us about photons and radiation wave lengths we still don't change the fundamental meaning of light. We don't bring this meaning to words. We can use it freely in our speech as an idiom, compare it to things, categorize things as light, etc. Even in the times of Ancient Greece, when Oedipus Rex was written by Sophocles, people understood the rules of light. We know The opposite of light is dark Light comes from a source We need light to see The language in Oedipus is poetic, because even though it's a play the medium was still developing. Words were still for free use. There weren't as many rules. Because of the balance of restrictions writers like Sophocles could use different language. What does it mean to say "Thebes [is a] sunwhipped city"? Why are the gods and their overwhelming power and majesty associated with strong light, meaning why should the "gods descend, [coming] with blinding torches"? Why are gods in their divinity symbolized by the inability for mortals to see their gods in their true form? "Let it come! However base my birth, I must know about it." The light we know comes from the sun. Almost all the energy in the world comes from the sun. When we think of light, because we naturally affiliate light with the sun and sun with energy, we feel like light makes us feel beetter. That's why some people have better moods when it's sunny outside. In poetry darkness is associated with evil and uncertainty. Saying a setting is dark, in place or with zeitgeist, makes people think of opposition pairs like good and bad, sickness and health, and other things that don't have anything to do with photons. Light has this kind of power over us, it can control our mind, because it's so familiar in our heads. We understand light enough it becomes an idiom. "O Oedipus, most royal one!/The great door that expelled you to the light/gave at night--ah, gave night to your glory:/As to the father, to the fathering son." In this case light is the fame and night is infamy and scandal. Oedipus has fallen from up where it was light rapidly to the dark deep below. "A blind man, Who has his eyes now, a penniless man, who is rich now; And he will go tapping the strange earth with his staff To the children with whom he lives now he will be Brother and father-- the very same; to her Who bore him, son and husband--the very same Who came to his father's bed, wet with his father's blood." ~Teiresias, p25 Every one of us has this addiction to understanding and certainty. We need light to see everything properly. We find comfort in certainty, like everything is clear and in control. Our attention might show us the unknown, and our instinct is to find the answers, whether the answers will help us or not. In Oedipus Rex king Oedipus only has the duty of being king. Whatever clairvoyant Teiresias was trying to say by telling Oedipus that with the truth comes the answer, Oedipus wouldn't have been blind and he'd still be king. He had this need for certainty feeding his passion. His wife was trying to get him to be realistic, mostly because of her own fear of the truth. This fear of the unknown can cancel out the need for things to be known. These forces are related and could be inverses of each other. There is warmth in knowing the whole truth and there is warmth in believing you already do. And one more thing... Krishna Anand E 167 Ms Weiss Theme and motif poster "The next full moon, a grace to your gentle shade," sings the Strophe in Ode III. Light and dark each influence certain feelings on you. In this case both are parallels, light being stronger but still graceful while the dim being daintier. There are different kinds of light and dark because of the mood and the way we percieve the setting. Sunny may mean optimistic or torturous. We have given light and dark all these different meanings. Merriam-Webster's first definition of light as "something that makes sight possible." We cannot know something without seeing it. With light comes focus. In Oedipus Rex, Oedipus the king looks for the light on his past. The past to him is a mystery. All he has is the prophecy, the drunken message, and Iocaste's experience with the oracle. He needs this light to see clearly, and light to him helps him in his search. Finding the light is finding the truth. Thank you for your attention! "The [oracle] of Delphi... he spoke of other things... that I should lie with my own mother, breed children from whom all men would turn their eyes, and that I should be my father's murderer." ~Oedipus, describing the prophecy (p42) Our own definitions Light is the Source the warmth of light Direct Rays of Light Light can control our attention. In the real world we would notice things better if they were lit up. Oedipus's attention draws him from worrying about his country during the plague to blinding himself in self-protecting passion. If we

Now you can make any subject more engaging and memorable