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Presentation Template Storytelling

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Presentation Storytelling

Transcript: Presentation Storytelling Julian Navarro Inspiration/Refrence waiting the turn by krugerlive GAS STATION AT NIGHT BY JULIA CHRISTE Story / Reasoning When taking these photos, what I'm taking into consideration is the time and place I decided to take these photos. Early in the morning I feel would be the representation of the emotions and mood I'm trying to convey to the audience. Which would be solitude and loneliness in the way that someone observing from the driver seat they'd be able to appreciate the scenery for the calm and empty. The reason I feel that late night cruising is relaxing is maybe because the production of melatonin in the pituitary after the sun sets or it might be the only time people have to themselves, either on the way to and from work. It can also provide an outlet to express emotion by choosing different genre music. Although me personally I like light night because there's less traffic, its not as hot outside, and easy on the eyes. More importantly the setting its less busy; almost empty at times. Unlike rush hour, I don't have to worry about heavy traffic at night I can simply drive home and enjoy the view while listening to relaxing music. I like listening to the theme of Taxi Diver sometimes, which also shares the same ambience which most of the film at place at night. I feel though while driving I can plan out the day ahead or reflect on decisions I need to make. Its therapeutic and allows to deal with stress by letting me schedule my day so I have a general idea of what my day is going to resemble. Layout Poster Citations Uptas, A. (2021, June 28). 30 photos of “liminal spaces” that might make you feel a little uneasy. Demilked. https://www.demilked.com/eerie-liminal-spaces/ Waiting the turn. Reddit. (n.d.). https://www.reddit.com/r/LiminalSpace/comments/nm4epn/waiting_the_turn/?rdt=56775

Storytelling Presentation

Transcript: Benefits to Patients Go with the flow Hyden (2009) References Creating the scene Brody, J. (2016) "Alzheimer's patients keep the spark alive by sharing stories" 08/08/2016 [Online] at http://well.blogs.nytimes.com/2016/08/08/dementia-patients-hold-on-to-love-through-shared-stories/?_r=0 [Accessed 15/11/16] George, D.R and Houser, W.S (2014) "I'm a storyteller!" in American Journal of Alzheimer's Disease & Other Dementia's 29(8), 678-684. Hyden, L. "Narrative and identity in Alzheimer's disease: A case study" in Journal of Aging Studies 23(4) 205 - 214. Kitwood, T. (1997) Dementia Reconsidered: The person comes first. Philadelphia: Open University Press. Web sources: www.alzfdn.org.EducationandCare/storytelling.html www.npr.org/sections/health-shots/2012/05/14/152442084/alzheimers-patients-turn-to-stories-instead-of-memories www.alzheimersstorytelling.com well.blogs.nytimes.com Triggering memories and creativity Small sample size Gender and racial imbalance 1 facility Short time period 'In the moment' Where creative Storytelling is used Increased creativity and imagination, improved quality of life, positively altered behaviour Staff noticed a sense of anticipation, liveliness, laughter and fun More engaging conversations Aims Martha's story Storytelling in different contexts Individual differences Alzheimer's Awareness Day A progressive disease Problem with transmitting messages No cure Limitations Creative storytelling is becoming a popular therapeutic tool in the mid to late stages of AD Creative storytelling breaks down the communication barrier for individuals This is the basis for Creative Storytelling in the context of Alzheimer's Disease Be persistent TimeSlips Conclusions What is Alzheimer's? Other methods such as medical options, e.g. AChE inhibitors for early to mid-stage Alzheimer's Storytelling involves interaction Storytelling as a Therapeutic Tool for Alzheimer's Disease Individuals are presented with a stimuli and asked to select one each The leader of the sessions initiates an interactive discussion Stories based on the script can then be told by the individual The stories can be told through songs or acted out in dialogue The session is concluded with a celebration of the individual's participation Creative Storytelling defined in a therapeutic context More challenging one on one than in a group setting What is creative storytelling? How is creative storytelling used? The success of creative storytelling as a therapeutic tool for people with Alzheimer's disease Limitations In the Home Keep a stiff upper lip Integrate music Limitations Both in adult day programmes and group settings Families can adapt the technique to use in the home environment "Inevitably, storytelling is about memories" and "opens the rules to include imagination and to create something new that accepts who they are" (Basting 2016) What the sessions involve Founded in 1998, based in Milwaukee Groups of seniors create short stories Either past experience or imagination based on a random image Choose pictures carefully Learn questioning techniques Ecological validity Individual variation Not a cure What would we do differently to gain more a more in depth understanding? Success of Creative Storytelling September 21st Redefine story George and Houser 2014 Aimed to research into whether TimeSlips would reduce mood and behavioural symptoms 2 variables: Standard programming vs. standard programing plus two one-hour TimeSlips sessions per week for 6 weeks

Storytelling Presentation

Transcript: Practical Ideas Staging & Technical Story-telling techniques Instead of staging the entire house / room, we could just use a bed to represent the grandmother's bedroom, and a doorway. We could use a spotlight on Little Red Riding Hood during her journey through the forest. We could create a tree canopy that is suspended above little red riding hood. We could make it using scraps of fabric, tissue paper and branches. If we hung it low enough it could also create a frightening sense of claustrophobia and immerse the audience into the performance. We could use shadow puppets to show the wolf eating the grandmother We could use a mask and gloves / a puppet to show the wolf We could also take inspiration from pantomimes by breaking the fourth wall and speaking to the children directly. For example Little Red Riding Hood could ask the audience if they think her grandmother seems 'strange' and the actor could naively pretend like she is to create more suspense and keep them engaged. We could also use sound and music in certain parts such as when she is travelling through the forest, we could get the children to sing along as if they are making the journey with her to add atmosphere. Marionette puppets could show her other encounters in the forest such as bears or monsters to promote a very eerie and frightening atmosphere. Target Audience Research Little Red Riding Hood includes a range of dark themes, such as the death of the grandmother, the evil and deceptive yet cunning wolf, Little Red Riding Hood’s frightening journey through the forest, and her near death at the end. The protagonist would be of a similar age to the children, so the children would enjoy that the main character is similar to them and relatable. It contains the excitement that the children commented on enjoying with the battle of the wolf and the little girl, as well as one of their favourite tropes being a main character (the wolf). Furthermore, they would recognise the well known fairytale and enjoy a creative new adaptation of it. BTEC Performing Arts Verity James Little Red Riding Hood Why I chose this story We learnt from the Year 3 students that they like a lot of darker/scarier themes. We learnt that they especially enjoy Harry Potter, themes of death, themes of nature, ect. We also learnt that they enjoy children of similar ages to them as the protagonist in stories. They also said that they prefer stories that include adventures, and that they like wolves (much more than dragons, for example). Therefore I thought that Little Red Riding Hood would be an easily adaptable story that we could present that has very similar themes to the likes of the children. We could apply a particular focus on the aspects that will appeal to them most e.g. we can prioritise her journey through the forest (potentially using a song / live music), and the characterisation / exaggeration of the wolf. Synopsis One day, a young girl’s mother asks her to go and visit her grandmother, who lives in the next village. She meets a talking wolf while travelling through the woods, who asks her where she’s going. The girl tells him that she’s going to visit her grandmother, and tells him she lives in the first house in the village. The grandmother, who is in bed unwell, tells the wolf, believing him to be Little Red Riding Hood, to come in. The wolf does so, and immediately devours her. When Little Red Riding Hood eventually arrives, the wolf pretends to be the girl’s grandmother. After she enters the house, she is surprised by her grandmother’s big arms (‘all the better for embracing you, my child!’ her ‘grandmother’ replies), her deep voice, and her big teeth (‘all the better to eat you with!’). He proceeds to eat Little Red Riding Hood.

storytelling template

Transcript: Landscape: Draw Card Character: Draw Card Sensation: Draw Card Object: Draw Card Verb: Draw Card The two green circles are in the second level of your story. You draw a set of new cards for each green circle, to create two different possible directions for your story to go in. Erase this text and write the next part of your story incorporating the new cards listed above. The four red circles are in the third level of your story. Draw a new set of cards for each red circle. Your story will end up branching in four different directions. Four different stories, with the same beginning. Erase this text and write the next part of your story incorporating the new cards listed above. The four red circles are in the third level of your story. Draw a new set of cards for each red circle. Your story will end up branching in four different directions. Four different stories, with the same beginning. Erase this text and write the next part of your story incorporating the new cards listed above. New Cards: list each new card you draw here, seperated by commas 3a The four red circles are in the third level of your story. Draw a new set of cards for each red circle. Your story will end up branching in four different directions. Four different stories, with the same beginning. Erase this text and write the next part of your story incorporating the new cards listed above. New Cards: list each new card you draw here, seperated by commas The four red circles are in the third level of your story. Draw a new set of cards for each red circle. Your story will end up branching in four different directions. Four different stories, with the same beginning. Erase this text and write the next part of your story incorporating the new cards listed above. 1 New Cards: list each new card you draw here, seperated by commas Setting the scene: This is the beginning of your story, use the cards you've listed above (landscape, character, sensation, object, verb) to write 1 - 4 sentences that begin your story. Why is the character in the landscape they're in? Why do they feel the sensation they feel? Or is it the landscape that feels the sensation? How does the object come into the story? Erase this text to write your story here. New Cards: list each new card you draw here, seperated by commas 3c New Cards: list each new card you draw here, seperated by commas New Cards: list each new card you draw here, seperated by commas 2b The two green circles are in the second level of your story. You draw a set of new cards for each green circle, to create two different possible directions for your story to go in. Erase this text and write the next part of your story incorporating the new cards listed above. 3d 3b 2a

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